October 28, 2005

aural



'In the original composition Piano Phase is written for two pianos. The first piano begins with the pattern of twelve tones and the second piano moves in slowly. Shortly after the second piano speeds up, while the first piano holds strictly to the tempo until he is one note ahead, then he holds the tempo in order to assimilate the resulting pattern. This happens twelve times, until both pianists are back in phase. In a second section Reich introduces a new eight note pattern, to which the second piano plays a pattern which is not the same but similar in harmony and the phasing takes place once again. The four middle tones of this pattern are used for the third and last phase. Again the phasing process takes place and the pianists end together quite abruptly.' (from)



wanna try?

October 27, 2005

work buzz

Oh, great coffee, you redeem me.

What would I be without you?

Nothing.



from June 2003:

Ode to a Mayline -- in Brief

O! straight Mayline -- nay, giant ruler, more aptly put --
How doth thou realign thy -- stringy gut?

Thy guiding wires twixt four wheels, two lengthy plats -- re-made --
With abiding artist's tape, philips head -- and a razor blade.

October 26, 2005

industrial hatakeyama



Naoya Hatakeyama

This is so hot (thanks Bruce). Very cinematic -- if there was a movie where the protagonist was a factory.

candy animation by flourescent hill

One of the best things about Halloween is the candy. Here's something to whet your appetite: Try Telling That to Your Baby, by Flourescent Hill.

"The video is made from several thousand photos of candy, which were then digitally painted and composited together. Animation was completed with cg cutouts, stop motion, video, and plain ol' drawings."

And more videos!

October 25, 2005

meta

Very interesting, long article in NYT on meta-time/work productivity. Touches on multitasking as an "interrupt-driven" lifestyle, a culture of obsessive unruly data collection (music, photos, documents), our ambiguous feelings toward online "connectedness," and being hyper-productive human robots:

Exerpt:

"But for many users, simplicity now trumps power. Linda Stone, the software executive who has worked alongside the C.E.O.'s of both Microsoft and Apple, argues that we have shifted eras in computing. Now that multitasking is driving us crazy, we treasure technologies that protect us. We love Google not because it brings us the entire Web but because it filters it out, bringing us the one page we really need. In our new age of overload, the winner is the technology that can hold the world at bay.

"... Some experts argue that the basic design of the computer needs to change: so long as computers deliver information primarily through a monitor, they have an inherent bottleneck - forcing us to squeeze the ocean of our lives through a thin straw. David Rose, the Cambridge designer, suspects that computers need to break away from the screen, delivering information through glanceable sources in the world around us, the way wall clocks tell us the time in an instant. For computers to become truly less interruptive, they might have to cease looking like computers ..."

October 24, 2005

back from la

D&A Pinks Sprinkles Scout Society Tuttle Wendy Ant Alice Leflesh Mike Foxx

fun!!! but, tired. some links now. pictures later. THANKS to ronnie's mom and ...

K!

October 20, 2005

October 19, 2005

optimism

I've fallen quite easily into being mired in everything I dislike about America, since being back from Shanghai. (Maybe this goes back to my borrowed-American paranoia and, for the lack of better judgment, being overly impressionable!) But, looking at the world outside of the Atlantic/Pacific coasts proves that the bad news you hear doesn't need to overshadow your optimism and good intentions.

For example, Engineers sans Borders -- a nonprofit group of civil engineers (like Doctors without Borders) that will provide emergency (infrastructure assessment and redevelopment) aid to countries hit by disasters.

Another optimism is our parallel across the Pacific: the future of the EU. I was listening to Forum on KQED this morning, a discussion with two American economists on Germany's (and the EU's) future. The clarity of their analysis (particularly Jeremy Rifkin's) was stunning. (It's amazing the kind of perspective you gain from being an outsider.) What was particularly heartening: repeated mention of a new generation of youth leaders with a focus on civil society and environmental sustainability, inclusivity and global peace. (I'm wondering -- have the future leaders of America lost sight of these things? Or are just utterly jaded, fragmented, and resigned to commercial?) You can hear this forum tomorrow here.

And another: despite overall poor urban environmental quality, efforts are being made in Shanghai (and other cities across the country) to build Green Cities -- sustainability has been a concept a lot of Chinese policy-makers have latched onto, although partnerships between researchers, developers, architects, and energy experts ought to run even deeper. I hope, here, we can see some landmark policies on the environment over the next half century.

And there must be some good news within the US. (please insert here) :) ... (Um, Congressman Richard Pombo will be called out on his unethical behavior? ... that ESA-gutting bastard)

The lesson? Even though there's a lot of awful awful stuff this world, you gotta remember there are a billion good intentions / actions as well.

Kawahito





A police station by Kawahito Architects in Sapporo -- architecture of obscurity. They can see you, but you can't see them.

October 17, 2005

domesticated



Lansing-Drieden design (via D*I*R*T*Y)



With this bed, you can be a modern-day Little Nemo ... (via mocoloco)



Blinkenlights (via information aesthetics)

Also ...

Inside homes of Shanghainese ... (via we-make-money-not-art)

Grafik Magazine ... published in the UK and a little Eurocentric, but some good material.

October 16, 2005

hot



thanks to michael ... superpitcher!

(okay, above's not a picture of him of course, but i didn't take any pictures. anyway, isn't this old ad hot?)

October 14, 2005

Aesthetics in Videogames



Check out this great dissertation on videogame aesthetics, with examples of worlds outside the universe of tired pseudo-photorealism:

"Depending on your point of view, photo-realism is either a scourge or a grail. The drive for it has come to dominate the visual aesthetics of videogames, and current technology seems to be pushing us very close to a peak. Limited markets and rising development costs, however, seem to indicate a gaping abyss. So will photo-real games be well crafted marvels of technology, or feats of economic hubris infused with mediocre gameplay? Will they be the ferryman to conduct yet more development studios across the Styx?

"The photo-real push is obviously important to many people within and surrounding the game industry, as demonstrated not only by the persistent trend in commercial development, but also by work such as the System Shock 2 mod Rebirth, which replaced some of the models with curvier versions, designed for more powerful machines than the original game.

"Yet increasingly, the push is sneered at. Among some of the gamers I know, the latest graphical offerings get little more than apathy. Critics cite rising development costs and the potential of different artistic goals, and are generally scornful of industry resources being poured into visually superior concrete and monsters. Nonetheless, they seem dangerously close to drowning under the effusion of marketing departments and most players.

..."

October 13, 2005

cloak spring 06





Cloak by Alexandre Plokhov.

Can I please do menswear??

more blogging architects please!



Atelier Bow-wow has a BLOG!

October 12, 2005

hot



An absolutely bizarre sensual fantasy* courtesy Tom Ford, W Magazine and Style.com. (Okay, I never really liked the guy, but can you get a steamier mysterious futuristic storyline in fashion photography than this ... ??) Thanks, Roger.

(I love how, using a few key "stills," you can create a narrative as if you were making a film, but without having to deal with the rest of the story. Isn't fashion photography great?)

*Caution: not work-safe!

what i mean by intellectual swill

i'm very wary of something called the "idiom of crisis." you see it being used within intellectual circles and the first world to frame the third world, oppressive regimes, the axis of evil -- making these strange, far away places, urban conurbations, and filthy images of poverty into urgent ideological battlezones. when the first world frames the third world in this way, whether it is framing the Middle East, South America, Asia, it suggests the inferiority of the third world, as a child-like / corrupt Other who has not advanced to the Western stage of growth, and reinforces the position of the first world as patriarch and arbiter of values.

for example, this back and forth op ed between a well-known architect and an editor of the respected magazine, Domus. They discuss the implications of featuring North Korean architecture in Domus: one enraged that the publication would support architecture in an evil country, and the other agreeing that the country's evil, but architecture is used subversively and "opens a crack in the regime's isolation." in either case, i don't find trouble with whether or not North Korean architecture ought to be presented in a positive light. i find trouble with the common language between the architect and the editor. people are "automata," the condition is a "nightmare."

it's the language of distance and moral righteousness. the architect spews crisis, the enemy, the hunger, and the editor restates it to form consensus with the outraged architect. both end up telling us, not that he or the other is more ideologically correct, but that both cast the nation (third world, poverty, crisis) as an abstraction -- an idea that they both patch together in contrast to their notions and images of justice and civility (their enlightened Western culture). it's anti-propaganda propaganda.

Dictatorships, poverty, cruelty ought to receive criticism, but the language frequently used by those casting criticism creates a false sense authority -- the illusion of an "objective intellect." And this frequently underscores the reality of what's "on the ground" -- that real people live there, have families, needs, desires. As oppressive their conditions may be, people are not automata. Why negate this in your semiotic battleground?

this is the kind of pretentiousness coming from intellectuals and justice-mongers i hate. nations cannot be seen in such simplistic terms.

October 11, 2005

steel



Bao Steel #2, Edward Burtynsky 2005


i'm drawn to industrial scapes, though and because i have never worked at one, have never designed one, and have never visited one (unless you count Alco scrap yard ... and i don't think it counts). when i was in college i wondered what it would take to become a factory architect, but of course, they don't really do that, do they? (one of the projects in Shanghai was a tobacco factory -- but you get an engineer to design those crazy pipes and barrels). so love-ly movement, like when you pass through the Maze in Oakland, and are surrounded by startling concrete overpasses passing over passes and more concrete, you realize that these beautiful dynamic things, such as freeways and factories, are not an architect's work, but partly pure function. (even though they might be the most miscalculated functions ...)

when you drive up I-80 from the bay, or take the amtrak on the coastal line, you pass by these strange vats and tubes and pipes emitting lights, steam, clouds near richmond, and shortly after, you pass through this cliffside area by crockett beneath the bridge that crosses to vallejo, a cluster of enormous defunct sugar refineries, and you can still hear the hum of machines churning but no one you ask can tell you what is still being made at these places.

October 10, 2005

forgotten



very interesting photographs from a holga-tographer ... (and some from a pinhole camera made out of legos!)

future landscapes







i'm trying to build a collection of future urban landscapes: ephemera, space age fantasies, situationists and metamorphs, dystopic and krazy kat, astro boy metropolis style futures. (oh boy, this is going to be a big collection). recommendations?

(i decided to bump this from Oct 5 2005 for updates!)

October 7, 2005

don't you ...



... just love this picture?

who is it?

October 6, 2005

moebius



40 days dans le desert B by moebius.

October 5, 2005

defining the reason you like something by what it is not, is not always the best sign







Top-Bottom: Undercover, Undercover, Preen, V&R, Yohji, Yohji

So far, the spring shows on the runway are summed up as bland. Even the young guns are getting mowed over by marketability. (And I'd hate to elicit summations from snarky fashion journalists such as "grown-up cool" -- fuck you, you smug tarts).

A big yawn.

Among a few collections, the one that's stood out the most to me's been Yohji Yamamoto. Outstanding ideas in a sea of beige rehashes. Maybe it's the way it elicits architecture to me, and has nothing to do with "recollecting" prep school / vintage Americana / glamour hieress / movie star / mash-up / punk rock cocaine anything. Avant-garde's been totally bought up this time.

Rethinking Development: GDP to GNH

NYT has an article on Bhutan's government's effort to improve Gross National Happiness alongside Gross Domestic Product, discussed at the Rethinking Development Conference held in Nova Scotia:

Bhutan, the king said, needed to ensure that prosperity was shared across society and that it was balanced against preserving cultural traditions, protecting the environment and maintaining a responsive government. The king, now 49, has been instituting policies aimed at accomplishing these goals. Now Bhutan's example, while still a work in progress, is serving as a catalyst for far broader discussions of national well-being.

Around the world, a growing number of economists, social scientists, corporate leaders and bureaucrats are trying to develop measurements that take into account not just the flow of money but also access to health care, free time with family, conservation of natural resources and other noneconomic factors.

The goal, according to many involved in this effort, is in part to return to a richer definition of the word happiness, more like what the signers of the Declaration of Independence had in mind when they included "the pursuit of happiness" as an inalienable right equal to liberty and life itself.

The founding fathers, said John Ralston Saul, a Canadian political philosopher, defined happiness as a balance of individual and community interests. "The Enlightenment theory of happiness was an expression of public good or the public welfare, of the contentment of the people," Mr. Saul said. And, he added, this could not be further from "the 20th-century idea that you should smile because you're at Disneyland."

What It Means to Be Rich

In the early stages of a climb out of poverty, for a household or a country, incomes and contentment grow in lockstep. But various studies show that beyond certain thresholds, roughly as annual per capita income passes $10,000 or $20,000, happiness does not keep up.

Even more striking, beyond a certain threshold of wealth people appear to redefine happiness, studies suggest, focusing on their relative position in society instead of their material status.

Nothing defines this shift better than a 1998 survey of 257 students, faculty and staff members at the Harvard School of Public Health.

In the study, the researchers, Sara J. Solnick and David Hemenway, gave the subjects a choice of earning $50,000 a year in a world where the average salary was $25,000 or $100,000 a year where the average was $200,000. About 50 percent of the participants, the researchers found, chose the first option, preferring to be half as prosperous but richer than their neighbors.

Bhutan's effort, in part, is aimed at avoiding the pattern seen in the study at Harvard, in which relative wealth becomes more important than the quality of life.

"The goal of life should not be limited to production, consumption, more production and more consumption," said Thakur S. Powdyel, a senior official in the Bhutanese Ministry of Education. "There is no necessary relationship between the level of possession and the level of well-being."


(For Robin and all of us Non-progressivists):

John de Graaf, a Seattle filmmaker and campaigner trying to cut the amount of time people devote to work, wore a T-shirt that said, "Medieval peasants worked less than you do."

In an open discussion, Marc van Bogaert from Belgium described his path to happiness: "I want to live in a world without money."

lost or hiding?


where is my infinite optimism???!!!!

(i squeak as the fire in my belly is slowly extinquished ...)

good god, it's been just eight months and i need a sabbatical ... the kind of sabbatical where you don't ever return. ;p

time to lift my head towards the vast unconquered frontier, full of endless reinventions
... or accept shit fundamentally never changes, and i'm stuck in a forever cycle of longing and misery. if only i could get my full swing greys back, lay back, read some theory. like when i was a kid, lay out a new narrative for myself, a film in which i am the star.

!!!

October 4, 2005

nice



... but i don't remember who the stylist was. do you know? (i thought i got this off of showstudio -- but i can't remember).

October 3, 2005

my favorite font


uh oh



yatta yatta yatta